Aldous Huxley´s enke, der dedikerede sit liv til bla at udbrede Aldous´ bøger og budskab, døde i torsdags. Her følger en nekrolog fra LA Times:
http://www.latimes.com/news/local/la-me ... k=ntothtml From the Los Angeles Times
Laura Archera Huxley, 1911-2007
Widow of Aldous Huxley preserved his legacy
By Elaine Woo
Los Angeles Times Staff Writer
December 15, 2007
Laura Archera Huxley, a lay therapist, author and widow of Aldous
Huxley, who shared his vision of human potential and devoted the
nearly five decades since his death to preserving his legacy and
helping others -- particularly children -- achieve happiness, died
Thursday at her home in the Hollywood Hills. She was 96.
The cause was cancer, said Dan Hirsch, a longtime friend.
Huxley met her husband in 1948, 16 years after his anti-utopian novel
"Brave New World" had established him as a formidable thinker, writer
and social critic. She married him in 1956, a year after the death of
his first wife, and over the next seven years was his muse and
partner in the explorations of consciousness that helped to spark the
psychedelic movement of the 1960s.
After his death in 1963, on the day of President Kennedy's
assassination, she was determined to keep his works from slipping
into obscurity.
"What Laura Huxley did was devote her life and energy and vision to
making sure this very important writer in the Western canon was still
in print and widely published," said Jonathan Kirsch, the attorney
for the Huxley literary estate.
One of her last projects was to bring "Brave New World" to the movie
screen. It is now in development with a major motion picture studio,
Kirsch said.
Huxley also was the author of several books, including an early self-
help guide, "You Are Not the Target," a 1963 bestseller. She also
wrote "This Timeless Moment," a 1969 memoir of her life with Aldous;
"Between Heaven and Earth" (1974); "One-a-Day Reason to be Happy"
(1986); and "The Child of Your Dreams" (1987).
In 1978 she founded a nonprofit group now called Children: Our
Ultimate Investment, which aimed to foster optimal development of
what she called the "possible human." It collaborated with schools in
California and in Britain, working particularly with teenagers to
prevent unwanted pregnancies.
Huxley, who never had children of her own, once described its goal as
"bringing children up loving the world, rather than fearing it as
many children do."
When she met her husband, Huxley was nearing the end of the first
phase of her life -- as a concert violinist. Born in Turin, Italy, in
1911, she was a musical prodigy who performed for the queen of Italy
when she was 14.
She came to the U.S. in the 1940s to make her American debut at
Carnegie Hall. She wound up in Los Angeles, where she played for the
Los Angeles Philharmonic for a few years. In 1948, spurred to make
great changes in her life after the death of a close friend, she gave
away her violin and went to work as a film editor at RKO studios.
She met the famous writer when she was trying to promote a film she
wanted to make about the Palio di Siena, an annual horse race through
the streets of Siena, Italy.
Director John Huston told her that if she could get Aldous Huxley to
write the screenplay, he could help her obtain financing.
She wrote to the author, who had spent time in Italy and was then
living in the desert outside Los Angeles. When she got no reply, she
was a bit miffed.
She found his phone number and called him, unaware that the number
belonged to a post office near where he lived. "They asked me if it
was an emergency," she recounted to the London Guardian in 2002, "and
I said, 'Of course it's an emergency.' " The message got through, and
she became a close friend to both Huxley and his wife, Maria.
After Maria died of cancer in 1955, he proposed to Laura in a
roundabout way, asking if she had "ever been tempted by marriage."
When she said yes, he asked, "Do you think it might be amusing to
travel to Yuma and get married at the drive-in?" She again replied
affirmatively and they were married at a drive-in wedding chapel in Arizona.
By then he had already begun experimenting with psychedelic drugs,
particularly mescaline. (His 1954 book on his experiences, "The Doors
of Perception," inspired Jim Morrison and his bandmates to name
themselves The Doors.)
He invited Laura to take LSD with him while listening to Bach's
Fourth Brandenburg Concerto and they experienced "aesthetic revelations."
But unlike their friend, Timothy Leary, who became the guru of a
generation that turned on and dropped out, Huxley said she and her
husband believed that while LSD had great potential for expanding
consciousness, it should be used "very carefully and religiously."
As a character in his last novel, "Island" (1962), said, such a drug
"can take you to heaven but it can also take you to hell."
When Aldous Huxley was dying of cancer, he asked his wife to give him
a dose of the drug and she complied with two injections a few hours
apart. He died peacefully shortly after the second dose. As she wrote
of his last moments in her memoir, "I had the feeling that he was
interested and relieved and quiet."
When he was writing "Island" she was working on her first book, "You
Are Not the Target," a distillation of ideas she had been developing
since the late 1940s about how to promote emotional health. She
described her philosophy as recipes for life and offered exercises
that would help people relieve stress and find joy.
One such exercise recommended tensing one's stomach muscles after
encountering a rude driver.
"It will reduce your waistline, increase circulation, liberate
poison," she said.
Another exercise was called "You Are Attending Your Own Funeral" and
encouraged participants to review their life and let go of regrets.
She created her foundation after the granddaughter of a lifelong
friend came to live with her for a week in 1978. Huxley told The
Times in an interview that year that the child's visit "threw me into
a state of expanded consciousness. I wandered through the house
feeling great love and compassion."
Karen Pfeiffer, the child who opened up new vistas for Huxley, helps
direct the foundation in Los Angeles. She recalled Huxley, who became
her legal guardian, as "the most beautifully eccentric person I've ever known."
Among Huxley's many brainstorms was a room in Venice that she called
the caressing room, where people could come to hold babies. She
regarded it as a place "where the new and the old will meet and
loneliness will dissolve," she wrote in a description of the project
in 1978. She said there should be such a place on every city block.
Well into her 90s, she worked out an hour a day on a treadmill and
could balance herself on a rubber exercise ball. She practiced yoga
and extolled the benefits of seeing the world upside down, standing
on one's head.
Asked many years ago why she never had children of her own, she
replied, laughing, "I never thought I was old enough to have one."
In addition to Pfeiffer and Pfeiffer's daughter, Kaya, she is
survived by a nephew, Piero Ferrucci of Florence, Italy, and a niece,
Paola Ferrucci, of Turin, Italy.
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